Mahler: Symphony No. 3
Czech Philharmonic
Jiří Bělohlávek, conductor
Smetana Hall, Prague, 22 May 2015
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The Prague Spring music festival is an
institution in the Czech capital and it was a privilege to hear the
resurgent Czech Philharmonic orchestra in the marvellously resonant
Smetana Hall.
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The Smetana Hall in Prague |
After the fall of
communism the orchestra’s quality had dwindled, but Jiri Belohlavek has
masterminded the turnaround in the fortunes of the Czech Phil since he
took it over again in 20012. It is of course famous for its Czech music –
Dvorak, Smetana, Janacek - but its qualities also well suited
this night’s programme of Mahler’s Third Symphony.
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Jiří Bělohlávek
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The
mighty Third is written on a massive scale of 6 movements, with
depictions of the natural and spiritual world at its core. The creamy
strings were a glory to listen to when they led the soaring melodies of
the first and last movements.
The
primal nature of the eruptions in the first movement were also
particularly arresting in this hall which has a wooden floor on the
first floor up within the town hall complex. The brass sound loomed up from the
back of the orchestra and together with the percussion created a
vibration that could be felt coming up through the legs of your seat.
Only
the off-stage horn solo was not entirely achieved in the Scherzo. The on-stage string
sound was heavy and obscured the distant calls. However Belohlavek’s
interpretation was assured throughout, and very satisfying at its conclusion.
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Steinbach am Attersee, Austria where Mahler wrote some of the Third Symphony |